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Andersens 0212
Kunsthøjskolen Holbæk
Kunstnernes Påskeudstilling 2012
Kunsthøjskolen Ærø
Gl. Holtegaard - showtime
Det Fysnke Akademi
Lilith Performance Studio 0212

[26. oktober 2010]
Billedreportage
Subject Matter 2010. Installation view: Mikko Kuorinki.

Subject Matter - Gallery BOA



From the press release:

Subject Matter is the second part of the exhibition project A Minor History of Creativity, which examines the artistic process in three stages: idea, object and the mediation of the art work. After a preliminary presentation of the processes and ideas before the object at Gallery Pictura in Lund, Sweden in the summer of 2010, the exhibition at Gallery BOA in Oslo will show the artists’ completed works.

Unlike most group exhibitions, Subject Matter does not work within the framework of a particular argument or topic. The artists have been asked to comply with the three-part structure of the exhibition project but have otherwise been free to investigate areas of personal interest and indulge in the process of their artistic work.

Rather than having to accommodate to the authoritarian viewpoint of the curator, this strategy leaves the exhibition without an overarching theme for the works to support and thereby creates a space for the articulation of the individual artworks. If art is a way of comprising our understanding of the world, this exhibition presents a tangle of opinions and expressions instead of one single message; a democratic plurality of world-views. As the project enquires into the artistic process it also raises questions about how this particular openness affects both the process and the artworks. The transparency may prompt courageousness or cautiousness in terms of ideas, choices, and actions of the artists or lead to a certain degree of staging in order to uphold a distance between the private and the public.

Furthermore, the exhibition investigates what kind of decisions the artists have made in order to translate their initial idea into a work of art. Is the relationship obvious and straightforward or has the work seemingly departed from the initial idea by way of another, stronger articulation, due to technical difficulties or simply by a change of heart?


Link to the projects own website: http://aminorhistoryofcreativity.wordpress.com/

Foto:Ursula Nistrup & Aeron Bergman & Mikko Kuorinki
Mathias Kristersson (SE), Mikko Kuorinki (FI), Ursula Nistrup, Lina Selander (SE), Alejandra Salinas (ES), Aeron Bergman (US)
Subject Matter
15. oktober - 31. oktober 2010
Gallery BOA
Rådhusgata 19,
0158 Oslo

tirsdag – fredag 12-17, lørdag – søndag 12-16


Subject Matter, 2010. Installation view: Ursula Nistrup.




Ursula Nistrup: Participatory work for Galleri BOA, 2010. Written contract.




Ursula Nistrup: Participatory work for Galleri BOA, 2010. Appendix to ‘Situation Aesthetics: The Work of Michael Asher’ by Kirsi Peltomäki (edition of 50) and an event divided into eight parts, each of an hours duration.




Alejandra Salinas & Aeron Bergman: Untitled, 2010. Hand painted titles.




Alejandra Salinas & Aeron Bergman: Norwegian Hydro Powering Double Solar Powered Chinese Money Trees, 2010.




Alejandra Salinas & Aeron Bergman: Norwegian Waterfall Powering Chinese Waterfall, 2010.





Alejandra Salinas & Aeron Bergman: Norwegian Waterfall Powering Chinese Waterfall, 2010.




Mikko Kuorinki: Union, 2010. 225 x 110 cm. Carpet, handmade from national flags of the 27 EU member states.




Mikko Kuorinki: Helpless Europe (Calais), 2010. 50 x 39 cm. Lambda print on acrylic. Still from the video “Police violence against migrants, at this time in Calais” by Matthieu Quillet (No Border Images, www.toilesfilantesproductions.com).




Lina Selander: Around the Cave of the Double Tombs, 2010. HD-video, 16’, b&w, mute. Text: Collaboration with Oscar Mangione and Fredrik Ehlin.




Lina Selander: Around the Cave of the Double Tombs, 2010. HD-video, 16’, b&w, mute. Text: Collaboration with Oscar Mangione and Fredrik Ehlin.




Lina Selander: Around the Cave of the Double Tombs, 2010. HD-video, 16’, b&w, mute. Text: Collaboration with Oscar Mangione and Fredrik Ehlin.



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